The story of an intelligent loser who lives in a communal apartment in St. Petersburg works as a “literary Negro” by Olga Buzova and writes an autobiography on her behalf.

Lenfilm's most recent major production spins a kind of historical fantasy based on real incidents that's full of ominous implications for today. One night, a patrol rushes into the chambers of the Russian prince Pavel, son of the Empress Catherine; the Empress has died, and Pavel is to be anointed the new Tsar. Thought to be feeble-minded at best and crazy at worst, Pavel soon lives up to his enemies' fears: he dismisses long-serving courtiers, demands that peasants only work three days a week, and declares that state officials should start their days at 5 am. Soon, it seems that everyone who can is trying to hatch some kind of plot against him - including his own sons. Sumptuously designed, POOR POOR PAVEL constrasts the imperial splendor of the court with the sordid atmosphere of conspiracies and backstabbing that comes to define these characters' lives.

Oligarch Viktor lives a wonderful rich life: he has a yacht, a private jet, real estate around the world, business in various fields. But one black morning for Victor, he wakes up a beggar — all accounts are blocked, real estate is arrested, consultants do not answer calls. Victor turns out to be on the list of those who are not going to eat oysters in Monaco soon. At this difficult moment, only his valet Adam remains next to the impoverished oligarchs, who will help Victor survive. And for this you will have to do a lot — turn an expensive car into a taxi and even decide on injuries in order to get insurance.

Georges (Grégory Gadebois), teaches school in Montreal – he and wife Emma, (Monia Chokri) have just moved to the countryside. One day, he surprises a young intruder Zack, (Noah Parker), rummaging through his things.

A young, down-on-his-luck resident of hell is given a chance to redeem himself by signing up a down-on-his-luck retail accountant to sell his soul to Lucifer.

A young, down-on-his-luck resident of hell is given a chance to redeem himself by signing up a down-on-his-luck retail accountant to sell his soul to Lucifer.

Poor Bastards is a sketch film, written by twelve authors. Mirror or projection, poor bastards have fun with everyday facts and do not tell a story, but stories. Through these short and bitter stories, are revealed all the cracks of the human race, which, in a movement of globalization and neoliberalism more and more assertive, can lead the ordinary man to be a monster of cowardice, cruelty, indifference or hypocrisy. Poor bastards from an odd angle, transcribe reality provocatively or not, always with the same ambition: to react.

It's a reflection on whether the Fairy Tale, Dream and Love can survive today and whether they have a place in the modern world. More precisely, in those little worlds into which this world is split, each of which has its own laws, its kings and presidents, like in a toad swamp, its own security and accounting, like in the hole of the Mouse and the Mole. The action of the new fairy tale largely reflects modern reality, there is a lot of humor, satire and a little sadness in it.

Twenty-year-old Max is a skipper's child and lives in a boarding school for children without a fixed home situation. During the big holiday, when most children are back with their parents, Max stays with his friends. Together they try to make a home for themselves.

A housewife's comfortable life unravels when she suddenly stops loving her husband.